City Techno Soundset for Moog Sub Phatty & Subsequent 25
City Techno Soundset for Moog Sub Phatty & Subsequent 25
59 driving Techno presets, compatible with the Moog Sub Phatty and Subsequent 25 analog hardware synths. This soundbank is 100% Techno-oriented, which means no weird clangs, bleeps, effects, drums, shrieks, or cheesy 70s funk leads. The patches in City come straight out of songs by big name artists of the 80s, 90s, 2000s, 2010s, and 2020s. So this soundset is designed to fully exploit the fat Moog ladder filter and overdrive to their max!
Patches in City are based on sounds from songs by the likes of Argy & Goom Gum, Anyma, Chris Avantgarde, Stephan Bodzin, Tale Of Us, KAS:ST, CamelPhat, ARTBAT, DJ Andy De Gage, Innellea, Boris Brejcha, Luigi Tozzi, Dycide, Tender H, Aura Fresh, Franky Wah, Circuit Breaker, Emmanuel Top, MRAK, Reestar, Ekstendia, Slownoise, and many many more!
Only FX used on these sounds outside the onboard FX was Virus TI2 reverb and delay on the plucks, leads, and acid sounds.
Sounds in this preset pack are suitable for the Melodic Techno, Deep Techno, Dub Techno, and Minimal Techno genres, and are organized by category into Leads, Plucks, Pads, Acid sounds, and Basses, for quick reference
All patches are royalty-free and delivered instantly via email as a 24-hour download link
Requirements: Moog Sub Phatty, or Subsequent 25 synthesizer
“Many of the patches focus on darker sequences, rhythmic movement, and gradual variation over time… this was the collection that proved most comfortable in darker electronic styles.” - Derek Oswald, AltWire
“Rather than relying on hand-in-the-air hooks, many of the patches focus on darker sequences, rhythmic movement, and gradual variation over time. You’ll still have strong, squealy leads, buzzy synths, and echoey plucks in here if you want them, but this is Kulshan’s “darkest” Subsequent 25 offering. The Subsequent 25’s filter and multidrive sections complement this material particularly well, adding texture and edge. Of the five banks, this was the collection that proved most comfortable in darker electronic styles.” - Derek Oswald, AltWire
